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RS: Strategy… Probably my clearest strategy is to be really patient. Do you have a strategy for sitting before a canvas and deciding what to put on?
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There’s that business of how we see differently which means that you get to see something different than I do. And that’s the way these paintings work, I think, when they are successful. RS: It’s something different to me than it is to you. And I for sure have had the experience of people going: “Yeah, but why do you put that piece of red right there?” and it’s…
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Because, have you ever noticed that one thing that’s really interesting about us is that physically we see differently? How do you know that… There’s no way for me to know that you see a color the same way I do. RS: Red’s tricky! I don’t– this is actually really scary stuff to me, that red. TB: Which is interesting, because this palette has a lot more reds in it than I’ve seen in some of your other paintings. So you know, in this there’s not only the whitest white that I can throw at it, but also that’s the reason for some of the additions, like a little bit of gold leaf. So yeah, I’ve spent a lot of time working with materials to try to expand the optical range of the piece. Because otherwise there’s no contrast, right? And the business of how sometimes in order to have something be really luminous you need a lot of dark. That’s one of the tensions, between light and dark. Randall Stoltzfus: Well, probably thinking about light is the main thing with this piece. What were you thinking when you did this? He shows all over the country and I was enchanted when I when I saw that he was here in Chelsea.Īnd we’re meeting with him today and getting to talk about these paintings that have enthralled me since I first saw them 7 years ago. And I was thrilled to see him back in New York, though he lives here, showing again. Randall’s part of a group show here at Paul Rodgers. Theodore Bouloukos: Hello I’m Theodore Bouloukos here in New York at Paul Rodgers, 9W gallery with my friend and a painter whom I’ve admired for quite some time, Randall Stoltzfus.
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This interview with Theodore Bouloukos on was filmed at the November 2008-January 2009 exhibit “ The Magic Hour” at Paul Rodgers/9W Gallery in New York. “My roommate thinks are disgusting… Guess I’ll have to watch them alone secretively,” lamented a netizen.Īs for netizens who have been explicit about their homophobia, RADII refrains from reiterating their comments here.Ĭan Other People’s Love and Merry Queer help spread acceptance for LGBTQ+ communities within China and worldwide? Tune in to find out.Video can’t be loaded because JavaScript is disabled: Theodore Bouloukos in conversation with Randall Stoltzfus () One user excitedly posted, “This is awesome!” while another wrote, “Please broadcast it immediately!” Under a Weibo hashtag for the shows with almost 57 million views, some progressive netizens have shown their support. On that note, Chinese netizens have expressed mixed feelings about the two new South Korean reality series. For example, the country’s increasingly tight regulations on web series often target same-sex content, and a proposal was previously put forth to ‘prevent feminization of male teenagers.’ However, there is still some stigma surrounding LGBTQ+ relationships and censorship of queer content in China. In China, the LGBTQ+ community enjoys more representation and acceptance in major cities like Shanghai, one of the country’s first and only regions to hold a pride parade - although that has been on an indefinite hiatus since 2020. The two protagonists in K-drama Semantic Error